I caught up with a seemingly suave, cool and collected hospitality designer, Robert McKinley, as he prepared for tonight's opening of Good Units, the brand new space in the Hudson Hotel basement. Publicist Steve Kasuba told me Robert was frantic finishing up, but I sensed no panic, except from Kasuba. One thing is for sure, when opening a joint, in 99.99% of the cases, no matter how much time you get to complete the task, there will be paint drying opening night. I love Robert McKinley’s designs. I loved Cain Luxe, thought Surf Lodge was a home run and GoldBar a masterpiece. Shoot, I’d go to GoldBar even if Jon Lennon wasn’t there

The trend of superior food and beverage in superior hotels continues. Mr. Kasuba told me, “Robert designed Good Units and worked closely with Ben Pundole of Morgans Hotel Group. The approximately 7,000 square foot space will operate as a private event space, not a nightclub”. Good Units is the buzz spot as fashion week approaches. Interview will celebrate its 40th anniversary tonight. Susanne Barttsch is hosting a fashion week soiree. Patricia Fields was doing a much whispered about photo shoot with DJ Superstar Mark Ronson, bon vivant jewelry designer, actor and all around nice guy, Waris Ahluwalia and glorious supermodels Pat Cleveland and Julie Henderson. Giant Step, who throw hipster events leaps and bounds above the rest, will also host a gala here. I caught up with Robert on a 15 minute break.

Where does the name come from? The space is a long abandoned YWCA gymnasium in the Hudson Hotel basement. The words “good units” is literally spray painted on the walls near old electrical meters. Probably to indicate that this set of “units” is still working.

I love what you’ve done to the place. Tell me about it. We kept a lot of the character of the old gym, including the telescopic bleachers. We added low tech ‘80s dance lighting and neon gelled spot lights. We made it look like young cool kids came through and added graffiti, collages, images and artwork. There’s an old concrete floor

This is outside your partnership with Jayma and Jamie at GoldBar, Surf Lodge and those properties. I’m still partners with them, but do many design projects outside that relationship. For instance Saint Ambroeus [www.blackbookmag.com/guides/details/sant-ambroeus] , I’m updating their West Village location. It’s the same owners as Felice Wine Bar, which I also designed

You just completed a nail for nail GoldBar pop-up at Sundance. Now you’re recreating a Surf Lodge installation this weekend at Milk Studios. Yes, Milk will host an alternative to the tents--'Milk & Mac,' the hip alternative to the tents. We’ll recreate the look and feel of the Montauk spot in the 8th floor loft space. Chef Sam Talbot will create meals and there will be parties for the likes of Gwen Stefani, Purple Magazine's Olivier Zahm and Alexander Wang.

What else do you have time for? I’m collaborating with designer Rogan Gregory of Loomstate for a clothing collection that will be available at Bloomingdales stores starting this April.

The 40th anniversary of Interview magazine must be noted and honored. Andy Warhol created this icon in 1969. Back in the day, I never missed a copy. No one with any hope of downtown social status could. I read it as much for its advertising as I did for the articles. I dressed myself, fed myself, enlightened myself via Interview. For 15 years my friend Richard Bernstein did the cover art. He passed from complications from AIDS in October, 2002 and must be remembered on this day. His covers were portraits of the stars of that day, an era of glamor and style that seems to be eeking its way back, despite all the powers lined up against it. Richard was as sweet as he was talented. Paloma Picasso said. “Richard portrays stars. He celebrates their faces. He gives them larger-than-fiction size. He puts wit into the beauties, fantasy into the rich, depth into the glamorous and adds instant patina to newcomers.''

I met Richard at the Chelsea. He had a grand space behind and to the left of the hotel’s entrance desk. When I lived up on the roof, he would come visit me. If not for his easy demeanor and Cary Grant charm, I would have been awestruck. As a long term member of Warhol’s circle, he was supremely connected to a world I was trying to enter. I would listen to stories of Andy and Edie and Ondine for as long as he would allow. He had it all. He had class