Despite my big hoopla Tuesday night at Avenue, today/tonight is my real birthday. It is very common in clubland to celebrate your special day on another day. I remember, back in the day, every time a Quentin Crisp or another not-so-rich celebrity needed $500, we would throw them a birthday party and give them the loot and a phony club dinner. Sometimes six months separated the event and the reality. A rival club honcho asked me why I did my bash at Avenue and I referred to yesterday's article and told them that "they asked." It was wonderful.
Tonight I will work on my birthday; I guess I'm working right now...writing this, but I never think of what I do as work. My DJ agent Adam Alpert
is constantly reminding me of that. Tonight I will be a working DJ at Richard Alvarez's art
event at Stash
. That will be from 9 to 11pm. I will then rush off to Hotel Chantelle
to DJ from 11:15pm till around 4am. Miss Guy, Michael Cavadias
will also spin. It's been fun. Please come and say "Happy Birthday" if you wanna.
Richard Alvarez and I have been friends for generations. He is often seen at the chicest joints, doing the door..."WORKING IT". He is unbelievably fabulous and dear to my heart. He is also very talented. I asked Richard to do the paintings that adorn the entrance sequence of Stash. Tonight's soirèe celebrates that work and the ridiculously wonderful Richard. I asked him about tonight.
What is this party about?
I've always sought alternative spaces in which to showcase mine and friends' work, a residual of the whole DIY ethic, so having a space which is open and wants alternative sort of events is always on the radar. I was fortunate in being asked and delivering the sort of work that doesn't require a masters in fine art to understand. I always get off when all sorts of people have an opportunity to view art. I believe we should be surrounded by and allowed to bask in ART, so any chance I get in pushing that agenda, I grab - an open bar, in a well developed space where everything is designed for the feeling of transporting you, and great music!!!!!! That just sounds like somewhere I would wanna be at so that's what the party is all about.
Like many people in nightlife, you are an artist supporting yourself; tell me about your night work.
Steve, I am so LUCKY!!! I really have been given such great venues to work at. I always say I want my place (which I really do see as my house) to be an interesting mix; all of anything is boring. People go out to meet and be inspired. I mean, if you work in a law firm you would rather go to a venue that wasn't filled with the sort of people that inhabit your office!!! You know I always try to create a space that I would wanna go to. Music is also such an important element, with a good sound system and music that isn't being blasted on the radio, mainstream tunes are just as exciting when sandwiched between obscure dance tracks. The whole experience has got to be about having a night, being fun, easy on the ears, eyes, and wallet!!!
Where have you worked, and are you currently working?
Nightlife seems to be making a comeback after a few years of doldrums. Why is it happening again, and where do you go when you're not working? Where do you send hip friends?
I think everything has cycles, everything. I would also imagine the current financial scene has a lot of people staying put, not travelling as much but still wanting to have some fun. Brooklyn has the hot parties (illegal). Brooklyn is really the cool-school. I think more and more venues will be opening on that side of the city. I'm gonna get sh*t for this, but the subMercer is KEWL, Le Bain
is also, Top of The Standard
is so grown-up I LOVE!!!!!! Santos Party House
is fab, Cielo has the best sound system, Pacha
stays open late and has some fierce after-hour vibes. I mean, the city is still hot, but I really do follow the DJs, so wherever they play I'll go. Competition is the best cause we gotta stay on top of our game. The more, the better... I think.
Tell me about your art: where it came from, where it is today, and where you are taking us.
As a kid, my mum used to read all the newspapers. I would always wanna take the type and create new verse with them (I did not grow up in a enviorment where art was even a proposition). Years later I learned of Andy Warhol
and the whole idea of art for the masses. In the Bronx, most of the men in the building I grew up in were locked up, so they would always send these foil and glass crafty art pieces. They would also send there mums, wives, sis etc. those velvet paintings so I was exposed to the cheesy, crafty art projects that had an impact on me. Of course, I didnt realize it until much later. I also worked at Patricia Field
as a teenager. Keith Haring
use to sell his shirts in the store; we were the only store to carry them for awhile. In fact, every Sunday, after a long Saturday night out at The Garage, I'd be in the back folding his t-shirts all day!!!! Anyway, Keith created a free South Africa t-shirt and for a display he painted this huge mural on the 8th Street store window facing the street. I think that had a major impact. See, I paint on glass. I paint on the back, so I paint in reverse. I use a concoction that I've developed, my "Bitches Brew," if you will, adhesion. It's all about the glue!!!! Glass is tricky to get paint to stick to, so I use polymers glitter paints that react to light and movement. If you dance looking at my work, you see things that you'd miss from just one angle. I LOVE that because then the viewer and the art really create this relationship that really is a personal thing, which is what good art should do; it should speak to you, create a feeling in you. I try to get that out of the work. It really is difficult since creating feelings it is hard, you know, making somthing that will still dance after I'm gone!!!!! That's what I hope to achieve. As you can imagine, I've got my work cut out for me!!!!!!