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Making sure the hottest nightclubs in Miami Beach stay that way is plenty of work for Jimmy Vargas (left) and Mo Garcia, but that doesn't mean they're not allowed to enjoy their jobs. As the director of sales & marketing and the VP of external operations, respectively, for MMG Nightlife--which runs LIV and Arkadia at the Fontainebleau, and LIV at Sun Life Stadium--they book the talent, coordinate the events, and make sure everything runs smoothly.

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The chat was fast and furiously fun. In a stairwell off to side of the summertime madness going down at the pool at Arkadia, DJ Irie, Lil Jon, and yours truly cracked wise, laughed loud, and caused a small ruckus. It was just us three, lensman Presscott McDonald, and ace handler Felicia Quaning. By the time we were finished, there was a break-off crowd of 50+ clicking away as if their day depended on it.

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What is it going to take to get you to try Hennessy Black? How about a renowned DJ performing for a party in Miami Beach while suspended from a helicopter hovering 350 feet above the ocean. Would that do the trick? Because that's what the world's largest cognac producer did last weekend at the Fontainebleau to celebrate its latest spirit, and frankly, I don't know how they could top it. Your move, Courvoisier.

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Steamy, sexy, and red-hot: three words that describe Camille Austin, the city where she works, and her signature cocktails. Austin trained under a master mixologist for her gig at haute Chinese boîte Hakkasan at the Fontainebleau in Miami, where the Mexico native lives, works, and pours. The Betty Page look-alike has a flair for all things retro, and she likes her cocktails with a kick—like her White Pom and muddled apple-infused Red-Hot Passion—as much as she likes Luis Miguel. Check out Camille Austin's favorite places to grab a cocktail in Miami.

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As a manager and partner at 4AM DJs, I’m constantly arranging performances, events, and photo shoots around the world. Every day, I get reports back from my DJs filled with the kind of wild adventures I rarely get to be a part of as a desk - rather than a disk - jockey. The people who flock to these stellar international events get to experience the end result of months of prep, but do they really know what a day in the life of a DJ is like? In this monthly column, you'll hear first-hand accounts of DJ war stories, with photos and videos from the world’s best to show for it. In this second 4AM DJ Tour Diary, you'll read about DJ Price's insane Halloween weekend in Miami. Yours truly, Adam Alpert.

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Incongruity becomes me. I drive a ’76 Buick Regal and use a 4G phone. I wear suits and ties where shorts and sandals are pretty much de rigueur. I dig listening to The Archies while reading Nietzsche, and reading Mickey Spillane while listening to Wagner. When most of the land lies down to bed for the night, I rise. When everyone’s hell bent on heaven, I’m among the heaven-sent who descend. So it stands to damn good reason that I’d dig Miami Horror, the nightmarishly-named Aussie outfit who make music so beautiful it hurts. I can’t recall exactly when or where I first came across the name, nor what went through my mind in the nanosecond it took for me to click back and see if I could believe my eyes. Some kinda tragic headline, I surmised. Most certainly, I didn’t think music, let alone a sound so robust it makes the disco it emulates almost pale in comparison. And when I did find out Miami Horror was a man (now a band), I figured he’d cribbed his moniker from a tabloid a la New York’s legendary 3 Teens Kill 4. You know, the kinda front page story that grabs folks by the throat.

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Guys may come from Mars, and women from Venus, but Friday night dance parties are universal lingo. From glittering warehouses to stealth doors at intimate lounges, these slick floors ache for some unbridled dancing debauchery.

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They are not your average married couple. The dynamic and outspoken duo that call themselves House of Diehl has a daughter, a party-filled life in New York City, and an avant-garde fashion company. Roman and Mary Jo have redefined the American dream and cultivated their own cutting-edge vision of what life and fashion mean. To them, life is fashion, especially when it's deconstructed and made into something revolutionary. Roman and MJ have taken their high-energy, one-of-a-kind show, Style Wars, on the road, dazzling fashionistas, style mavens, celebs and plain old party people across four continents. Style Wars kicks off with a whole new season of Scotch Tape binding, safety pin fastening, and jewel bedazzling this November. After watching the duo give a lecture on “how to cheapen your couture” at an event they call Glambulance at 92YTribeca in downtown Manhattan, they sat down with me for a vibrantly colorful chat.

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For a decade now, Miami's citizens have flocked en masse to a party called Poplife. Initially created as an antidote to all that’s tried-and-trite in nightlife, the weekly throwdown blew up into a bona fide event-hosting group. The Poplife principals are Barbara Basti, Jake Jefferson and Aramis Lorie. Basti and Lorie are two of the original four founders; Jefferson came on board after he’d been sneaking into Poplife parties for so long that the other members decided to induct him into the crew. Together, the current threesome have devised some of the most incredible evenings in Miami, from bringing in record labels Fool’s Gold and Ghostly International during the town’s much-heralded Winter Music Conference to one-offs with everyone from Calvin Harris to Black Moth Super Rainbow.

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Oh, ye old time tested and treasured art of the Bachelor Party. A rite of passage. It signifies an end of one era, heralds another, and reveals just how brilliant or sleazy your male counterparts may be (as if you didn’t already know). Some celebrate with strippers, steak, and one-night stands. Others keep it classy, opting for a day of golf, steak, and cigars. Whatever your forte, gentlemen, South Beach on the Ocean Drive home stretch has this male bonding event covered. A little bit cheesy, a little bit rock 'n' roll. Let the male bonding commence.

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