“I belong to the last generation that can reasonably call itself ‘Soviet’—I was fifteen when the empire fell apart—and can vouch for the fact that we grew up with some pretty terrible stuff,” writes editor Michael Idov by way of introduction to Made in Russia: Unsung Icons of Soviet Design. It’s true that Iron Curtain motifs tend to conjure humorless functionality (c.f. ‘Iron Curtain’) or high kitsch, but this big-hearted compendium proves that even as the USSR began to disintegrate, it managed, through objects and toys and technologies, to articulate a national sensibility as confounding, elusive, and magical as the Pyramid Milk Carton.
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