Have you ever thought to yourself, "I wonder what a screenplay as penned by pop superstar Leona Lewis would look like? Would it be a soaring political thing like Letters from Iwo Jima or a feat of you-go-girl triumphance like Million Dollar Baby? Would it delicately touch upon the ills plaguing our society?" What if within Lewis is a budding Dogme 95 superstar and Leona Lewis has, in her well-manicured nails, a handheld camera to help her helm the next Dancer in the Dark? Would Lewis have a high profile clash with Björk that would send her running into the woods? Would Americans go onto decry her as anti-American, turning her into a fringe idol among European hipsterati? Wonder no more, friend! Because Leona Lewis has exclusively revealed her eventual plans to branch out into the fascinating world of film.

And like any output originating from The World of Leona Lewis, her desires to get behind the camera and pow-wow with the crew remains generic and abstract. Says Lewis to the Daily Star, "I love movies but I'm more into scriptwriting and the actual story and behind the scenes. But I wouldn't say no if it was the right thing." But woe! What is the right thing, then? Lewis never goes onto even do anything as bait us and instead we're forced to look at what sparked discussion about Lewis as director and screenwriter

Which is simply this: She's going home with an Oscar come 2010! Lewis is basically tipped to become to James Cameron's Avatar what Celine Dion was to Titanic. She also has a song on the Precious soundtrack. Although that one's ineligible for Oscar consideration as it wasn't written for the film's soundtrack specifically.

Either way, apparently oohing and aahing while other people act dramatically over your oohing and aahing is enough these days to push you into a director's seat. Just ask J.Lo.