The New Seven-Card Studs: Year after year, Hollywood ushers in a fresh crop of young heartthrobs, with the promise of turning extras into “It Boys” (many of whom turn to Promises treatment center just short of their 15 minutes). Here, actors Hunter Parrish, Sebastian Stan and Jonathan Groff raise the stakes, bet the house and play for keeps. By Nick Haramis

Jonathan Groff, who one day earlier wrapped his first film, Ang Lee’s Taking Woodstock, is the veteran of the bunch. After his Tony Award-nominated performance as the libidinous Melchior in Duncan Sheik’s Broadway masterpiece Spring Awakening, he went on to star in Hair and later, this month’s off-Broadway adaptation of Craig Lucas’ Prayer for My Enemy. In Woodstock, the baby-faced charmer channels Michael Lang, the charismatic creator of the world’s most notorious music festival. “On the very first day of shooting,” he says, from the basement of Manhattan’s Belmont Lounge, seated next to Sebastian Stan, who can be seen on NBC’s newest dystopic drama, Kings, “Ang held this big good luck ceremony where he blessed the cameras and the crew, and we all lit incense. There I was, sitting next to Eugene Levy with a stick of incense against my forehead. It was kind of surreal.”