Rohin Guha
September 17, 2009
Well, we saw it coming. On one hand, maybe this is how the pop ecosystem works. That is, in order to facilitate the trapezoid of life that governs showbiz, all lesser pop stars must cannibalize on what non-chemical biomatter remains of any deceased pop legend. So that in some shape or form, most traces of the pop star can dissolve into the earth. And then, future pop stars can mint their legacies on flat covers of his hits. In that respect, Janet Jackson and Madonna meeting over greasy banh mi or whatever to talk about how to turn one man's death into career momentum for themselves is a sensible turn of events. But on the other hand, it's disappointing that two surviving pop forces, who both delivered poignant Michael Jackson tributes only recently, are piecing together a collaboration designed to launch them squarely into America's heart.


So yesterday, after news broke of
Dubbed "The Breast That Destroyed America's Innocence," the Timberlakean appearance of Janet Jackson's right boob at the 2004 Super Bowl resulted in an FCC fine CBS of over half a million dollars. Because of such egregious fines, shadowy network executives decided that the risk involved with ever again having a lady-performer strut on stage was too much. So we were punished by having to witness irrelevant golden oldies like Bruce Springsteen (whose