July 16, 2009
Writer-director Robert D. Siegel admires the faithful. Both his script for The Wrestler, and now his directorial debut, Big Fan, focus on men whose dreams have bankrupted every aspect of their lives -- except the spiritual. His films would likely be overlooked art-house material if these muted Christian allegories weren’t so intermittently corny, droll and mawkishly sentimental. Everyone, after all, loves an underdog.

