After a couple of decades in the club biz, labels make way for legendary status. I am often described as “a legend” when someone is introducing me to someone. I always find it to be embarrassing and I always check my pulse to see if I'm still kicking. For some reason I find it a bit insulting. It discounts my "now" and concentrates or wallows in my past. Michael T. is still kicking it, so much so that this Sunday, he's launching his second New Romantic Ball at Le Poisson Rouge. He is one of my favorite DJs. Just don't ask him to play your favorite track.
For those who just stepped off the boat, tell us who you are… and do get into “Motherfucker” and that old shit.
I'm Michael T., performer/DJ and producer of "rock n roll" events/parties for over 20 years. My parties attract both gay and straight. The ones that are truly mixed are always the best parties. I've been going to clubs regularly since 1985. I started working in them on and off from ‘86 on. I've worked in clubs consistently since 1989.
The first party I ever "produced" was called "New York Nights." It was held at The Pyramid Club on Avenue A...when it was still dangerous.
It was on a Monday and it ran for two years. [‘91-‘93] It was an "alternative" party, both musically and people-wise.
After that, I had a band called Killer Lipstick [‘93-‘95]. Before/during and after this period I did what a lot of people do in clubs to secure a gig and survive, be it door/guest list, go-go dancer, performer etc. Eventually, this lead to DJing, which seemed to be one of the more "stable" of jobs as far as clubland goes.
Anyway, my first "real" DJ gig was at the now-shuttered The Tunnel at a party called "Kurfew" in the Kenny Scharf room aka “the fuzzy room.”
This was 1998-99. At this time, I also had a monthly party “Heroes” at a club called Mother called "Heroes.” I was also the emcee and DJ at the now-closed S&M restaurant "La Maison De Sade.”
Halloween Night, 1998: While DJing at “Kurfew,”-I took ecstasy for the first time. It was a mind-blowing experience.
The second time I took it: Jan 18th on my birthday [again, I was DJing] I had an "epiphany" of sorts. I thought how amazing it would be if I somehow managed to get the right group of creative people together in order to create the ultimate, outrageous "Rock N Roll Fantasy" party. Thus, the seed to "Motherfucker" was planted that evening.
Fast forward a year and a half later and Motherfucker was born at Mother. Chi Chi Valenti gave us the name, who in turn was given the name
by Clark Render. Apparently, Clark would often ask her why they [Johnny and Chi Chi] never did a party called "Motherfucker" at Mother.
Needless to say, we all thought it was a great name.
At any rate, Motherfucker grew and grew and grew and it became the biggest roving rock n roll party in NYC. We sold out the Roxy, Limelight, Spirit, Eugene, Rebel [with three to four rooms] for the next seven years.
Two moments that I will cherish forever was when I booked Willie Ninja & The House of Ninja and The Cramps [not on the same bill].
The other "infamous" party I did was "Rated X/The Panty Party" with Theo Kogan, singer of The Lunachicks.” It ran for six years, and every week we had naked people on stage competing in our 3am "Hot Body Contest" to win a whopping $100.
This is your second New Romantic Ball. In fact, it is called Romantic Ball II. What’s the difference between a ball and a party? What can people expect at the Ball and what is expected from them besides just showing up with a $20 bill?
Well, they'll walk into a real club with proper lights, sound, a great dance floor, and CLEAN bathrooms!!
They'll also see four bands, two burlesque shows, and hear three DJs, and hangout with a bunch of colorful hosts.
What's the difference between a ball and a party? A ball usually pertains to an event that is held once or twice a year; they're special events and, therefore, you make that distinction. Besides, everyone these days throws a “party.”
That stated, the main attractions of the night are the tribute shows we put on.They're done with a full, six to seven-piece band. That's just my band.
My partner, Ben Ickies, has a 20-piece orchestra. Where can one go today and see a rock show with a 20-piece orchestra?!?
All of our shows are rehearsed. Plus, we always have guest singers. However, let me state that we have REAL performers on stage. This is NOT a glorified "scaryoke" night. The artist[s] or genre we pay homage to is done with the utmost respect. We really love that artist or time period in music that's being reinterpreted for the evening. We don't do these shows to be "ironic.”
If you're wondering what bands fall under "new romantic,” they're all bands from the U.K. that flourished in the late ‘70s/early ‘80s, roughly ‘79-‘82. Just about all these bands were heavily inspired by Bowie or Roxy Music.
ie;Duran Duran, ABC, Visage, Gary Numan, Adam Ant, etc.
In short, you get to see a great show for your $20.
Le Poisson Rouge is a very artsy, creative friendly environment. Talk about the joint.
Well, it's one of the last "legit" clubs in NYC. It has an incredible stage, excellent sound/lights a greenroom, a big DANCE FLOOR! Plus, it has a very professional and courteous staff.
It's such a delight throwing parties or balls there. It's a venue that really helps you achieve your artistic vision and isn't just concerned with the bottom-line - what a rarity in this day and age. In all my years working in various clubs, I don't think I've ever met a more pro-active staff...from busboy all the way to the GM.
You and I have DJd over the centuries. You are adamant about not taking requests. Explain that and your take on your job as a DJ.
I don't take requests for the most part because either A) people have shitty taste in music; B) They're rude; and also C) I'm not a juke-box.
The main reason, however, is very simple: I know what I'm doing. I've been DJing since 1998. Whatever venue I'm working at has hired me for that reason. I just find it outrageous that people feel it's their "right" to make requests and get "offended" if you don't comply.
Here are just a few lovely examples of the crap you hear from people: "I like what you're playing...but.” Or, if I was DJing, I'd play this next" etc.
Can you imagine, if I walked into an office and told someone I've never met that they should do their job "like so"!?!! I'm sorry, I simply don't stand for any of that nonsense. If you don't like what I play, fine, go somewhere else. You won't be missed. Believe me.
What is your overview of nightlife in the terrible 2010s?
It's tragic. I don't really need to say much...you pretty much answered your own question. The state of nightlife is at an all-time low.
I disagree with Michael and find fun everywhere...but then again, I take requests. Something on my hmmmm list is Yiddish Cabaret going on at The Box tonight at 10pm. It's somehow a gig anticipating the opening of Soho's new kosher restaurant Jezebel. You can buy tickets here. I have been told to look out for a Ms. Jonas' rendition of "If I Were a Rich Man." Oy vey, I'm leaving Brooklyn...for this?